Tuesday, November 10, 2009

READ THIS SHORT STORY!



Professor Panini
by Matthew Grigg

Before my many years' service in a restaurant, I attended a top science university. The year was 2023 and I was finishing the project that would win me my professorship. In the end, it resulted in my becoming a kitchen employee.
My forty-second birthday had made a lonely visit the week before, and I was once again by myself in the flat. Like countless other mornings, I ordered a bagel from the toaster. 'Yes, sir!' it replied with robotic relish, and I began the day's work on the project. It was a magnificent machine, the thing I was making - capable of transferring the minds of any two beings into each other's bodies.
As the toaster began serving my bagel on to a plate, I realised the project was in fact ready for testing. I retrieved the duck and the cat - which I had bought for this purpose ñ from their containers, and set about calibrating the machine in their direction. Once ready, I leant against the table, holding the bagel I was too excited to eat, and initiated the transfer sequence. As expected, the machine whirred and hummed into action, my nerves tingling at its synthetic sounds.
The machine hushed, extraction and injection nozzles poised, scrutinizing its targets. The cat, though, was suddenly gripped by terrible alarm. The brute leapt into the air, flinging itself onto the machine. I watched in horror as the nozzles swung towards me; and, with a terrible, psychedelic whirl of colours, felt my mind wrenched from its sockets.
When I awoke, moments later, I noticed first that I was two feet shorter. Then, I realised the lack of my limbs, and finally it occurred to me that I was a toaster. I saw immediately the solution to the situation - the machine could easily reverse the transfer - but was then struck by my utter inability to carry this out.
After some consideration, using what I supposed must be the toaster's onboard computer, I devised a strategy for rescue. I began to familiarise myself with my new body: the grill, the bread bin, the speaker and the spring mechanism. Through the device's rudimentary eye - with which it served its creations - I could see the internal telephone on the wall. Aiming carefully, I began propelling slices of bread at it. The toaster was fed by a large stock of the stuff, yet as more and more bounced lamely off the phone, I began to fear its exhaustion.

*

Toasting the bread before launch proved a wiser tactic. A slice of crusty wholemeal knocked the receiver off its cradle, and the immovable voice of the reception clerk answered. Resisting the urge to exclaim my unlikely predicament, I called from the table: 'I'm having a bit of trouble up here, Room 91. Could you lend a hand?'
'Certainly, sir. There's a burst water pipe on the floor above, I suppose I'll kill two birds with one stone and sort you out on the way,'
The clerk arrived promptly, leaving his 'caution, wet floor' sign in the corridor. He came in, surveying the room in his usual dry, disapproving fashion. I spoke immediately, saying I was on the intercom, and requested that he simply press the large button on the machine before him. 'This one, sir?' he asked, and before I could correct him, the room was filled with a terrible, whirling light, and he fell to the ground.
A minute later he stood up again, uncertainly, and began moving in a manner that can only be described as a waddle. The duck, meanwhile, was scrutinising the flat with an air of wearied distaste. I gazed at the scene with dismay. Suddenly an idea struck the clerk, and with avian glee he tottered towards the window. I spluttered a horrified warning to no avail. He leapt triumphantly from the balcony, spread his 'wings' and disappeared. I would have wept, but managed only to eject a few crumbs.

*

Hours of melancholy calculation and terrible guilt gave no progress, and left me with a woeful regret for the day's events. Determined not to give up hope, I began to burn clumsy messages into slices of bread, and slung these desperate distress calls through the window. I sought not only my own salvation, but also to account for the bizarre demise of the clerk, who must no doubt have been discovered on the street below. I soon found my bread bin to be empty, and sank again into a morose meditation.
A large movement shocked me from my morbid contemplation. Before me, having clambered up from the floor, stood my own body. It regarded me with dim cheer.

< 3 >

'I have been upgraded,' it announced in monotone. The room was silent as I struggled to cope with this information. Then:
'Would you like some toast?'
The truth dawned on me, and I wasted no time in seeing the utility of this revelation. I informed the toaster, which was now in control of my body, that I wished it to fetch help. It regarded me warily, then asked if I would like that buttered. Maintaining patience, I explained the instruction more thoroughly. I watched with surreal anticipation as my body of forty-two years jerked its way out of the flat. It rounded the corner, and there was a hope-dashing crash. It had tripped up on the 'caution: wet floor' sign. To my joyous relief, however, I heard the thing continue on its way down the corridor.
Minutes passed, then hours. I entertained myself flicking wheat-based projectiles at the cat. On the dawn of the third day, I concluded that the toaster had failed in its piloting of my body, and that help was not on its way. Gripped by the despair of one who must solve the puzzle of toaster suicide, I resigned myself to my fate.
Pushed on by a grim fervour, I began igniting the entire stock of bread. As the smoke poured from my casing, and the first hints of deadly flame flickered in my mechanisms, I began the solemn disclosure of my own eulogy.
Suddenly the fire alarm leapt into action, hurling thick jets of water across the flat, desperate to save its occupants. A piercing wail erupted from all sides, and a squabbling mixture of annoyance, relief and curiosity filtered into my mind.

*

Once the firemen had visited and deactivated the alarm, I was identified as the fault, unplugged and hauled away to a repair shop. The staff there, finding nothing to remove but a faulty speech chip, apparently put me up for sale. I only know this because, on being reconnected to the mains, I found myself in a shiny, spacious kitchen. Missing my electronic voice, I could only listen to the conversation of the staff, discussing the odd conduct of their new cook. The end of their hurried discussion heralded his arrival. I gazed at the door in silent surrender, as my body stepped proudly on to the premises, displaying its newly designed menu. At the top of the list I could discern 'Buttered bagel'.

EXPLAIN WHAT THE STORY WAS ABOUT.
WHAT ELEMENTS MAKE IT SCI FI?

WHAT IS SCI FI?

DON'T GET CONFUSED WITH FANTSY!

Science fiction is a genre of fiction. It differs from fantasy in that, within the context of the story, its imaginary elements are largely possible within scientifically-established ,some elements in a story might still be pure imaginative speculation. Science fiction is largely based on writing rationally about alternative possibilities. The settings for science fiction are often contrary to known reality.

Sci Fi is about time travel and

aliens, space and exploration

SCIENCE FICTION FILMS

HOW MANY OF THESE FILMS HAVE YOU SEEN?

1. Blade Runner (1982) Dir: Ridley Scott

The story revolves around Harrison Ford's policeman, Rick Deckard, and his hunt for four cloned humanoids, known as replicants, in a dystopian version of Los Angeles. Replicants have been deemed illegal and Deckard is a blade runner, a specialist in exterminating them.


2. 2001: A Space Odyssey (1968) Dir: Stanley Kubrick

Spacecraft consultants Frederick Ordway and Harry Lange, who had worked for Nasa, persuaded companies such as Boeing and IBM to supply prototypes and technical documents for use in the film. Astronauts visiting the set at Borehamwood referred to it as "Nasa East".


Darth Vader3. Star Wars (1977)/Empire Strikes Back (1980)
The first two films of the original Star Wars trilogy make it onto the list probably for reasons of nostalgia rather than science.

Essentially westerns set in space, they both cover the universal themes of good versus evil while making lead actors Harrison Ford, Mark Hamill and Carrie Fisher spit out mind-boggling technospeak on a regular basis. There is also an element of mysticism (which some say sets them apart from the rest of science fiction), with the idea of an all-pervading "force" that can be harnessed by certain people for good or evil.

The epic saga revolves around the battle between the all-enslaving Empire (led by the Emperor, a force-wielding maniac and his part-human part-machine henchman Darth Vader) and a small band of rebels.

Its use of science is sketchy at best - light-speed travel is dealt with by the use of a "hyperspace" where the normal laws of physics don't seem to apply and force-wielding Jedi fight with theoretically impossible lightsabers - but the emphasis here is certainly not on answering the problems of the human condition. Two of the first blockbusters, they also started the franchises for toys, games and replicas that no science fiction film can do without nowadays.
Alien4. Alien (1979) Dir: Ridley Scott
Remembered for the iconic scene of an infant creature bursting bloodily through John Hurt's chest, but Alien was about much more. An interstellar mining vessel takes onboard a lifeform with concentrated acid for blood and two sets of jaws, which then messily dispatches the crew.

Praised for the gothic set design and Sigourney Weaver's portrayal of reluctant hero Ellen Ripley, it is notable for its underlying themes of motherhood, penetration and birth. But for UCL space physiologist Kevin Fong it's the mundanity of the crew's lifestyle that makes it stand out.

"For the first time we got the idea that, in the far-flung future, people who live and work in space might be a bunch of Average Joe slobs sitting around with leftover pizza, smoking and playing cards to pass the time," he says. "It captures much of what long duration space flight is about now: dirty, sweaty and claustrophobic with long periods of boredom followed by moments of sheer terror."
Solaris5. Solaris (1972) Dir: Andrei Tarkovsky
Remade by Steven Soderbergh in 2002, but the original still holds a fascination for fans of the novel by Stanislaw Lem. A psychologist travels to a base on a remote planet to replace a mysteriously deceased scientist. There he encounters the secretive survivors - and his dead wife. Reality is supplanted by the increasingly attractive alternative of the planet's alien intelligence.


Terminator 26. Terminator (1984)/T2: Judgment day (1991) Dir: James Cameron
Robots from 2029 send a relentless cyborg (Arnold Schwarzenegger) back to 1980s Los Angeles to assassinate the mother of a future human rebel. One of a few films to deal with problems of time travel, such as the grandfather paradox: if you travel back in time and kill your grandfather, you wouldn't exist so wouldn't be able to travel back in time to...

The sequel featured another cyborg made of shapeshifting metal. "Despite the incoherent fictional science, it is a perfect piece of film-making in its genre, which I would call 'action movie' rather than 'sci-fi movie' if it were not for the fact that there are very few, if any, movies that genuinely deserve to be called sci-fi," says David Deutsch, quantum physicist at Oxford.
US flag7. The Day the Earth Stood Still (1951) Dir: Robert Wise
Set amid the cold war paranoia of postwar America, a flying saucer lands in Washington DC and a humanoid alien, Klaatu emerges, accompanied by his robot, Gort.

Klaatu (who pronounces: "I'm impatient with stupidity. My people have learned to live without it") tries to convince the world's leaders - and when they won't listen, scientists - to stop the rush toward mutual destruction.

I
War of the Worlds8. War of the Worlds (1953) Dir: Byron Haskin
Famously adapted for radio by Orson Welles, HG Wells' tale of a Martian invasion of Earth became another cold war movie.

"The idea that there could be life that's developed in completely other circumstances in a completely different world which you would never recognise. That's a very appealing idea," says Seth Shostak, senior astronomer at the Search for Extraterrestrial Intelligence, California.
Matrix9. The Matrix (1999) Dir: Andy & Larry Wachowski
Cod philosophy, fetish clothing and incredibly cool special effects combined in 1999 for a fresh take on man-made artificial intelligence enslaving the planet.

The science behind the fiction is conspicuously absent, being replaced with the permanently befuddled Keanu Reeves stumbling around being confused by nonsense about spoons, and jumping off buildings. Tak Mak, a cell biologist at University of Toronto, doesn't think this matters: "It's good old-fashioned entertainment value ... Future bad guys fighting future good guys."
Close Encounters (100 moments)10. Close Encounters of the Third Kind (1977) Dir: Steven Spielberg
"We are not alone", declared the poster and this tale of Richard Dreyfus' escalating obsession with alien visitors against a backdrop of a secretive, omniscient government agency has provided the core of science fiction ever since.

"While it is highly unlikely that 'they' will rock up in a vehicle that looks like a giant, inverted Christmas tree or make their presence known by doing Jean Michel Jarre impressions on a cosmic synthesiser, Close Encounters is for me still the classiest alien visitation story in celluloid history," says UCL's Kevin Fong.

WHAT DO YOU THINK? HAVE YOU SEEN ANY OF THESE MOVIES? ADD YOUR OWN FAVOURITES

SCIENCE FICTION BOOKS

Have you read any of these books?

They are really popular Sci Fi books- some have even been turned into movies

11Orson Scott CardEnder's Game [S1]1985Shop at Amazon USAShop at Amazon UK
22Frank HerbertDune [S1]1965Shop at Amazon USAShop at Amazon UK
33Isaac AsimovFoundation [S1-3]1951Shop at Amazon USAShop at Amazon UK
44Douglas AdamsHitch Hiker's Guide to the Galaxy [S1]1979Shop at Amazon USAShop at Amazon UK
55George Orwell19841949Shop at Amazon USAShop at Amazon UK
66Robert A HeinleinStranger in a Strange Land1961Shop at Amazon USAShop at Amazon UK
77Ray BradburyFahrenheit 4511954Shop at Amazon USAShop at Amazon UK
88Arthur C Clarke2001: A Space Odyssey1968Shop at Amazon USAShop at Amazon UK
99Isaac Asimov[C] I, Robot1950Shop at Amazon USAShop at Amazon UK
1010William GibsonNeuromancer1984Shop at Amazon USAShop at Amazon UK
1111Philip K DickDo Androids Dream of Electric Sheep?1968Shop at Amazon USAShop at Amazon UK
1212Robert A HeinleinStarship Troopers1959Shop at Amazon USAShop at Amazon UK
1313Larry NivenRingworld1970Shop at Amazon USAShop at Amazon UK
1514Arthur C ClarkeRendezvous With Rama1973Shop at Amazon USAShop at Amazon UK
1415Aldous HuxleyBrave New World1932Shop at Amazon USAShop at Amazon UK
1616H G WellsThe Time Machine1895Shop at Amazon USAShop at Amazon UK
1717Dan SimmonsHyperion [S1]1989Shop at Amazon USAShop at Amazon UK
1818Arthur C ClarkeChildhood's End1954Shop at Amazon USAShop at Amazon UK
2019Robert A HeinleinThe Moon is a Harsh Mistress1966Shop at Amazon USAShop at Amazon UK
1920H G WellsThe War of the Worlds1898Shop at Amazon USAShop at Amazon UK
2121Ray Bradbury[C] The Martian Chronicles1950Shop at Amazon USAShop at Amazon UK
2222Joe HaldemanThe Forever War1974Shop at Amazon USAShop at Amazon UK
2323Kurt VonnegutSlaughterhouse Five1969Shop at Amazon USAShop at Amazon UK
2424Neal StephensonSnow Crash1992Shop at Amazon USAShop at Amazon UK
2525Niven & PournelleThe Mote in God's Eye1975Shop at Amazon USAShop at Amazon UK
2626Ursula K Le GuinThe Left Hand of Darkness1969Shop at Amazon USAShop at Amazon UK
2727Orson Scott CardSpeaker for the Dead [S2]1986Shop at Amazon USAShop at Amazon UK
2828Philip K DickThe Man in the High Castle1962Shop at Amazon USAShop at Amazon UK
2929Michael CrichtonJurassic Park1990Shop at Amazon USAShop at Amazon UK
3030Alfred BesterThe Stars My Destination

In the comments section tell us how many of these you have read, or any other Sci fi novels you've read.